Why I Always Start with Simple Lines

I often get asked why I start with such loose and simple lines. This drawing breakdown might help explain why.

1. Blocking in the structure
I begin with quick, simple shapes to understand the head's tilt, proportions, and gesture. These early red lines are just enough to anchor the overall form.

2. Building the form
From the loose frame, I start exploring the major shapes — the silhouette of the head, the jawline, and the general placement of features. Everything stays light and easy to adjust.

3. Establishing rhythm and flow
As I add tone and volume, I pay close attention to how the viewer's eye will travel through the piece. Some edges get stronger, others softer, depending on how I want to guide attention.

4. Finishing with clarity and contrast
Once the structure feels solid, I start refining. Edges are cleaned up, darks are pushed, and details are added — but the thinking behind the drawing was already done in the first few lines.

Simple lines aren't just a warm-up — they're the foundation of everything that follows.