From blocks to edges — how I paint with color, not just over it.
What changes when you tilt the Loomis head — and what not to fix.
From a simple sphere to a finished face.
Here’s what’s currently on my desk, and why I use (or don’t use) them.
Every line builds shape — or breaks it.
Sometimes the most important color isn’t inside the shape—it’s just beyond it.
A stroke is more than just an outline. It carries information.
A step-by-step look at my drawing process
Sketch and color study from the same reference — here’s what I noticed.
